A poetic but
scientific account, in harmony with religion, of the creation of the universe
and its destruction is presented in the form of 1024 rhyming couplets. The
creation is described from a point source, and the destruction is based upon the
ultimate decay of matter and its building blocks such as neutrons and quarks.
Historically
there has been an unwritten separation between science and poetry. Scientists
seldom write serious poetry in any significant quantity. In a similar way poets
rarely write a poetic account of any significant proportions that is based upon
a scientific theory.
I
wanted to lay a new foundation – writing poetry while seriously entertaining
scientific theories of our era, and above all doing it in a journey of reverence
in complete harmony with religious descriptions. The subject I have chosen is
the evolution of Time itself.
To
make sure that the reader is not lost in verbose descriptions and grandiose
words, let me present the first fifty-six lines of this epic poem to simply
show; how from a point source the universe is created in harmony with religion.
The readers shall thus be able to quickly make up their minds, if they want to
proceed any further.
From before the beginning and the advent of time
This text is brought about from before there was
rhyme
This
tale shall sail till after eternity
The words have come down with utmost clarity
Time doesn’t exist, He has yet to say “be”
The word is there, and designed for decree
The
thought process deep, inspiring, and elated
Nothing
else exists, nothing else created
There is no beginning there is no end
There
is no boundary there is no trend
No
reason to measure since nothing is relative
Absolute
Him and the only one creative
And there are no hours, day or night
There
are no revolutions, Sun in sight
The
Time is now, hung in plight
An
eerie silence in an eternal night
There is nothing to shine, no talk of reflection
There is nothing to bend, no talk of refraction
The
light is trapped and it is inside Him
Time
is not flowing, dark, and grim
No thought of a genealogy, no thought of a friend
Not
even the beloved, no message to send
No
one to talk to, no tablets, no law
It
is mighty Him, the words are in awe
He is His argument He is His proof
He
is spread all over and yet so aloof
He’s
mired in thoughts in self to keep
His
presence not felt, silence so deep
He is wondering, at the lack of it all
None
to spring up and nothing to fall
No
one to be loved and no one to be ruled
No
one to be scolded and no one to be schooled
Near one of those points mighty and absolute
In circuits of pure logic numbers and root
In
His absolute world, surviving, safe and sound
He
discovers a frame of reference wandering around
The cause and the effect is the first of the burr
The first of His principles, the very first pillar
The
cause is His power, He merely says “be”
The
affect just happens, agree or disagree
And so all of the principles by His grace
Causality, Uncertainty, and the like are in place
All
is then set for principles to be brought
Into
an existence from His mighty thought
Hold on to the thought of the Light of Love
Which He created from the principles up above
For
this is a story of the character of Time
We
will come back to that virtuous and sublime
So, with all His might, and a loud harangue
A Point Source of
life, created with a bang
The
miracle just happened, as part of the plan
He
finally said, “be”, and His experiment ran
This is how, we’re sure, the cosmos began
Matter, light, and flow of time in a span
The
beginnings of all life, the elements the strand
The
universe got started, and continues to expand
Please
note that any praises of the Almighty and references to metaphysical is not
just my belief but also a way of avoiding and making a big deal out of the fact
that science by definition is always incomplete.
Before
proceeding any further, the word Tiambic should be explained. The reader may
recall that the iambic poetry of
antiquity employing a specific rhythm is well known. As this is the story of Time, I thought that the title Tiambic
should be interesting.
The
story flows through the twentieth century as well, a span near and dear to us.
Our century’s history is recorded. The story touches on some real problems as
well as achievements. The millennium turnover has sparked many thoughts in all
of us. Like others, I too have witnessed and heard from our elders the
insatiable appetite of human beings to kill others in uncontrollable wars.
Despite economies surpassing trillions of dollars, poverty laughs in our face.
Many verses as a check on reality are written. Here we sample just a few lines:
The huts, the slums, the shanty towns, every where
abound
Words, grammar, vernacular, and different every
sound
This is a cosmos by itself
and the stars rather dim
The Sun is blanketed in the dust and the faces very
grim
The roaming gangs, justice
swift, eye for an eye
The needles, very potent,
and every one is high
Unreadable, garbled, graffiti on the wall
Illiterate and indecent, still, children almost all
Plenty rock, plenty rap,
cluttered nonsense trash
Dancing around in a circle,
unproductive thrash
Misdirected talent plenty ugly and abhorrent
Maybe a diamond in the rough, beauty not apparent
Reading, writing,
arithmetic, here, there or none
Sports uncivil in some
places and a lot of fun
Physics, math, hard sciences, and rusty every brain
Sharpening this thick dumb skulls futile strain
Race, color, and
discrimination mantra every day
Fornication, prostitution,
the unwed mothers play
The volunteers have disappeared and the politicians
gone
The speeches given, the photos taken, news, on and
on
Knowledge in the chromosomes
has already been given
Prophets have long come and gone, ended their
mission
Empty slogans, failed churches, it is pronounced now
God is listening just to those who help themselves
somehow
Another aspect
of an epic poem is the inclusion of sub-stories within the main story. Imagine
that Time is also a character not necessarily human-like in the traditional
sense but something that is still mortal. Let us spring ahead at the moment in
history when matter in the universe has decayed into energy and the cosmos is
more a ball of energy. The forces of nature have conspired to shrink this ball
of energy towards its center creating at least the possibility for a repeat of
the mathematical singularity from which the universe began in the first place.
The new universe may not necessarily have the same dimensions; in fact it may
not even be recreated but our character, Time, sees the possibility of collapsing
on to itself and like a mortal, facing death. It is at this point that it
(Time) begins to remember some of the legends of yesteryears especially when it
was young. An interesting legend has been chosen, one where the wisdom of an
owl is imparted, as a lesson to a human, referred to the in the history as
“King Solomon”.
It
is thinking about its childhood in the middle of that night
It
seems a bit hazy, a dream far from sight
When the fountain of life was still very young
When
things were so plenty and spring had sprung
It
is thinking about a great king who living on the Earth
A Prophet when grown up and a gifted child at birth
He
was a man chosen by the Almighty to lead not just men
Whose
commands were the law and whose prayers, Amen
His kingdom was over oceans and also over land
He ruled all the elements, air, fire and sand
He
was powerful with fighting power of many a garrison
Sometimes
referred to in the literature as King Solomon
He was the leader of all there was, even an insect
Trees, caves and rocks could speak to him direct
He
was the leader of minds, in the hearts of them all
He
was the light of all humanity and standing very tall
“Wouldn’t
it be nice” they said, “if he lived forever”
So
this peace and prosperity shall never end nor whither
That justice will be served in the way he
administers
And
no one complains, not humans nor animals
Some
rocks that were listening suddenly spoke up in unison
Saying
that a cave beneath them contained just that medicine
A spring full of water and a fountain of youth for
him
Was
ready to keep him alive, forever strong and slim
And
these rocks said again that they urge the King to drink
This
fountain of youth in their mist, an eternity’s link
My
dear King, they pleaded to please go head and decide
The
morning shall have no hangover and death will subside
But he was a man very wise and he wasn’t in a hurry
Said this gift is indeed very nice but I do have a
worry
I
must seek now counsel from all of my subjects
The
decision be unanimous in all of those aspects
And so he called for a meeting, a meeting of the
minds
Of all those who could counsel, thoughtful every
kind
Included
too were those who could fly even at night
Included
too were those who had a perfect eyesight
So they all said, “what could be better than this?”
Long live our King; go drink from this abyss
But
the owl would not speak, deeply perturbed
He
pretended as if he didn’t want to be disturbed
But the King wasn’t about to let him just go away
And really wanted to hear what the owl had to say
“Speak
up thou O owl, it is a matter of life and death.
A
disagreement I sense, I’m waiting with a bated breath.”
The owl not much of a speaker mustered his beak
And began mumbling like he didn’t like to speak
“O
my King it just has to do with the sadness in life.
Life
is not fun, if it is always full of sorrow and strife.”
“It is true my Custodian that you are powerful
It is true my King that of God you are fearful
It
is true my Leader that you are never unjust
It
is true my Master there is peace and trust.”
“And while you remain young and you remain strong
You remain the King and every one sings your song
But
every one around you, becomes old and weak
Your
kith and kin, they all grow feeble and meek.”
“Eventually they all die and you carrying on
This repeats every year and every one is gone
If
you are so strong and can take on this burden
Then
live forever by drinking from this fountain.”
“My respected King, I have given a different advice
Thou art wiser so do what you please; suffice
Say
that I have done my duty and be given permission
To
leave your court and return to my life of less sensation.”
I
must now return to a more traditional style, a foreword is written. I realize
that after the readers begin to read Tiambic, they will encounter these verses again
- my apologies.
One
might be curious as to why this effort was undertaken. A comprehensive
explanation would require additional stories. That depends on how long I shall
live. But I would like to mention that the story in shorter form consisting of only
257 rhyming couplets was first written by me in the “Urdu” language, widely
spoken in Pakistan and Northern India. It has just now also been written in the
“Hindi” script. The message has thus been written in two languages, one eastern
and one western. There is also talk of translating it in other languages. But
that is left for others and has to do with money.
I
want to thank my son Kashif Ali, twenty-one years old, for having read this and
in giving his approval as fit for younger generation. I would also like to thank my wife Fozia for it was in “her time”
of more than two years that it took me to complete the product in both
languages.